Game of Thrones Season 4: Episode 1 recap


Spoilers ahead! 

It's back! We've had ten months to digest the last season, and hopefully it was long enough, because things aren't slowing down in season 4. This episode plays more like a mid season chapter than a traditional season opener- sure, the war is over, (or not over, because 'Stannis still lives') but nothing has ended. With myriad storylines still midstream (this season is merely the second half of the third book), the plot moves steadily forward rather than reestablishing where everybody is (everywhere) and who they want to kill (everyone).

The season opens with Tywin Lannister, Hand of the King, forging two new swords from Robb Stark's oversized weapon, one of which he gives to his clean cut for-the-first-time in a season son, Jaime (Kingslayer, Oathbreaker, Man with the Golden Fist, Leftie). Jaime likes the sword but takes the news that he no longer has a place in the King's guard rather poorly. Jaime's world has been realigned and he's no longer at the centre of it. He's forty (as everyone keeps reminding him), has no family of his own and his greatest skill has been snatched from him. He plays petulant and remarkably, gets his way- after all, his sister Cersei's not in Casterley Rock where Tywin wants him, she's here.

The couple that plays together, stays together.
Tyrion looks to welcome the first new character of the season, Prince Oberyn Mortell of Dorne as a guest at the King's wedding. He's not much for ceremony (unless the ceremony involves his paramour and he picking out decidedly untimid and/or expensive prostitutes). The introduction of the Oberyn leads to the seasons first instance of full frontal nudity (Mark it: Game of Thrones made it ten whole minutes without full frontal nudity this season) as he and Ellaria check out the wares in Littlefinger's brothel. When Oberyn decides he also wants the goods from the male 'procurer', the show has missed a major opportunity to display a little gratuitous male nudity to offset the charges of gratuitous female nudity. C'mon HBO, show some balls (zing!).

Also- Oberyn wants to kill all Lannisters because: family history. Take a ticket, right?

My kingdom for a close shave!
Meanwhile, in the desert, Khaleesi is hanging with some seriously sizable dragons which give a true indication of their potential savagery when they fight over a broken lamb body and snap at their master. Khaleesi's a little shaken by the incident by assured by Ser Jorah that she shouldn't be worried- the creatures will never truly be tamed. And if you can't trust a man with a perpetual 5 o'clock shadow, who can you trust?

Maybe the new Daario Naharios? The recast warrior that was once a bit of a WWF-wrestler-by-way-of-Fabio, but is now Sonny, the musician junkie from Treme. Casting director is an easy job, in my opinion:
Same same.
Khaleesi and her mammoth unsullied army continue on their way to Meereen, a charming place where nothing goes to waste- you can make a medicinal tea from their flowers, or signposts from the corpses of children. Conservatives try to warn us of the dangers of sustainability, this must be what they're talking about.

Meanwhile, back in King's Landing, Shae is trying to get Sansa to eat, because she's lost a bit of appetite since she found out her whole family was murdered a few weeks ago at the Red Wedding (you might have heard about it, it featured on the internet). Tyrion tries his best to make her feel better, but to no avail. Thankfully she runs into the Knight-turned-fool that she saved from beheading at Joffrey's name day. He's so grateful for her mercy that he gives her his only possession/family heirloom, a maternal necklace. She's touched.

C'mon!
Jaime explains to Cersei that they'll finally be able to be together again, now that he's on the King's Guard but she's having none of it. She's pretty annoyed that he spent a year (guesswork) being captured and escaped and maimed and not being, well, there. And now, betrothed, boozy and seeking the aid of unlicensed maester Qyburn for some obscure ailments, Cersei claims that Jaime has returned 'too late' for them to continue their forbidden love. No one does ill-tidings like Game of Thrones!

The Wildlings, including Ygritte are biding their time waiting for word from Mance to launch their attack on Castle Black. Instead the Thenns arrive, on Mance's orders. The latest new characters appear to be self mutilating cannibals with mean tracking skills. I'm assuming they'd exhausted supplies in their long journey, since I can't imagine an arm makes for the most satisfying of meals, if the whole human body is the menu. (Got to be the thighs, right?)

I fuckin' hate pikeys.

At Castle Black, Jon Snow has a renewed sense of self-assurance as he fronts to the Night's Watch council, laying out his series of misdeeds and sounds just a little like a kid in the schoolyard- 'yeah, I laid with a wildling, like hundreds of times'. Of course, it turns out that everyone at the Night's Watch has been dipping their pen in the ink at the local brothel anyway. (Was this already common knowledge?)

Margaery Tyrell meets the mighty Brienne of Tarth and learns about such things as smoke demons, like the one who murdered her brother and resembled an oily Stannis. She's none too perturbed by the news, perhaps taking heed of her grandmother's advice and playing the cards close to her chest, or does her nonchalance betray a deeper knowledge?

And finally, Arya and Clegane the Hound continue on their way North, riffing and bickering as they do. When Arya accuses the Hound of having double standards in regards to infanticide vs common thievery, the show even drops a reference to The Wire, just for a laugh. But they weren't the first to do it:


In search of food, but with no money, they stumble across a small tavern, where Arya spots the Lannister soldier named Polliver who killed her friend Lommy with Arya's own sword, several episodes ago. The soldiers are portrayed as the raping, pillaging types, so we get have a good laugh as the Hound lays them to waste with face-breaking blows, swords through the backs and knifes (repeatedly) to the face. When Arya finally gets her moment of retaliation on the slimy Polliver, repeating his very own lines until the realisation dawns on him, there is a look in the young actress' eyes that reveals perhaps a monstrous nature being brought to life. She's starting to enjoy the revenge business.

Say hello to my little friend
So there's plenty of stuff happening, but we're not yet up to speed on Davos rebuilding Stannis' army and how things are going with Melisandre. Bran is over the wall somewhere and  the freshly euniched Theon Greyjoy is still presumably chained up in a dungeon while his sister makes way to rescue him. It's important to have something to look forward to.

Best Albums: 2013




Neko Case: The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You
Neko recorded an album so good, she couldn't stop naming it.


Foxygen: We Are the 21st Century Ambassadors of Peace & Magic
Spirited reinvention? Enthusiastic homage? Mimicry? Who cares? This is the best album of its kind since The Dandy Warhols' Thirteen Tales of Urban Bohemia.
 


James Blake: Overgrown
Intricate and expansive, James Blake wins the fight against the 'difficult' second album!


Forest Swords: Engravings
Get ready for smokey aural adventure.


Savages: Silence Yourself
Punk manifesto never sounded so good.




Bill Callahan: Dream River
Callahan's latest music reduction: boil everything down to its essence, hit record.


Pusha T: My Name is My Name
Don't accuse Pusha of being a coke-rapper. His songs are about 'dealing coke'- not dealing coke. This album is ridikalus good.


Nick Cave and the Bad Seeds: Push the Sky Away
The Bad Seeds natural sense of menace gets put on a slow spin cycle with atmospheric samples.


Kanye West: Yeezus
What kind of maniac releases an album that is so rabidly anti-commerical, just when everyone was loving him again? The best kind of maniac.


Queens of the Stone Age: ...Like Clockwork
QOTSA return with one of the strongest albums of their career. Thrilling, powerful and often very funny.




The National: Trouble Will Find Me
On the surface it seems like 'just another' great National album, but on closer inspection it reveals itself to be one of their best - finding the band looser, funnier and more at ease than ever. If it ends up being the band's swansong, it would a fine finish. 


My Bloody Valentine: MBV
Over 20 years after Loveless, My Bloody Valentine still sound like My Bloody Valentine. Which is the same as saying nobody else sounds like My Bloody Valentine.


Kurt Vile: Waking on a Pretty Daze
The most comforting album of the year- put it on with your first cup of coffee on a Saturday morning, see what I mean.



Jon Hopkins: Immunity
An electronic masterwork.

 
Lady Lamb The Beekeeper: Ripely Pine 
Wonderfully bold, wonderfully weird.




Paul McCartney: New
He was always the most talented one.

 


Janelle Monae: The Electric Lady
Janelle Monae continues her hugely ambitious Android saga with The Electric Lady, an amalgamation of R&B, rock, pop, hip-hop styles and influences that combines in a shouldn't-be-so-successful way.


Daft Punk: Random Access Memories
A loose concept album with more flashes of brilliance than most.
Sprawling, exacting, expensive-sounding.



The Drones: I See Seaweed
The caustic strength of this record actually sounds like will corrode your speakers.


Arcade Fire: Reflektor
They probably didn't want everyone thinking they didn't know how to have a good time.


DARKSIDE: Psychic
Can an album be simultaneously moody and upbeat? DARKSIDE managed it.


Future of the Left: How To Stop Your Brain in an Accident
Full disclosure: I donated some meagre funds towards the recording of this album, so I'm happy to accept any credit towards its greatness.

Best Tracks: 2013




BEST OF THE BEST:
Landslide- Kirin J Callinan
Raw, vulnerable and utterly electrifying.


Higgs Boson Blues- Nick Cave & The Bad Seeds
A swirling, propulsive epic in the style that the Bad Seeds do best. God, the devil, Miley Cyrus and human evolution swirling together towards our shared apocalypse.


You Are the Apple- Lady Lamb The Beekeeper
Even after listening to this song for the best part of a year, I'm always surprised by its remarkable twists and turns.



Immunity-Jon Hopkins
The most sublime piece of music released this year.


Retrograde- James Blake
Fragility and triumph combine in the centrepiece of Blake's wonderful album Overgrown.





Giorgio by Moroder and Get Lucky- Daft Punk
The first, because it's 9 minutes of pure, adoring homage and the latter because despite the fact it's been played everywhere for months, it's still the funnest, coolest song released this year.







THE BEST:

Step-Vampire Weekend
Sly, clever and hilarious.



Seedling- Clulow Forester
The centrepiece from this Sydney duo's EP is sprawling, grand and adventurous gem.
 



Smooth Sailing- Queens of the Stone Age
One of many highlights on QOTSA's latest album, this stomping tune is also one of the funniest.


She Will- Savages
This is the sound of a fire starting.


Love is Lost (Hello Steve Reich mix)- David Bowie remixed by James Murphy 
James Murphy does his usual remix thing of stretching the barest elements of an original track out to 10 minutes, adding a bunch of electro fuzz and a new backbeat, thus turning the song into something bigger and better.





Parenthesis- Tricky
With one of the best uses of a sample this year, this track was a highlight from Tricky's return to form album False Idols.


Tiger Tank- Speedy Ortiz
The spirit of 90s lo-fi is alive and well and embodied in Speedy Ortiz. 


I Saw Her Face- The Men
Crazy Horse style love song from the hardest working.... men.... in rock (sorry).


Like The Morning Dew- Laura Mvula
Glorious in its fluctuations between maximum and minimal, this song actually feels like it's going to snatch your breath away.



Full of Fire- The Knife
The most aggressively contrarian single of the year is also one of the most thrilling.


Walk Us Uptown- Elvis Costello & The Roots
The effortless swagger of the effortlessly cool. (I wish the rest of the album was as good as this track).


People of the Sticks- Besnard Lakes
No one does epic aural vistas quite like Besnard Lakes.


Blood on the Leaves- Kanye West
Kanye gets a lot of crap, but the man's pretty much a genius.
 

Newsletter, newsletter: Nov 21 Edition

Newsletter, newsletter
Stones

THE ROLLING STONES

Other city dates to come in the next couple of weeks, but why not make the occasion extra special by seeing one of the most legendary bands in the world perform a huge show to commemorate the opening of a brand new... sporting arena?

Saturday 22 March, Adelaide Oval
General sale starts Monday 25 November
Ticketek presales start at 11am today

Arcade Fire

ARCADE FIRE

Finally, unsurprisingly, Arcade Fire announce their sideshows at huge venues. To their credit, their shows on this tour have been report to be similarly huge (and have formal dress codes). Get your tuxes and gowns ready.

Wednesday 22 January, Myer Music Bowl, Melbourne
Tuesday 28 January, Entertainment Centre, Sydney
General sale Friday 29 November
Pre-sales start on Tuesday 26 November

Blur

SNOOP LION + MAC MILLER

If he's actually allowed in the country, if he's not arrested before taking the stage, you can see Snoop light up a blunt at one of two great venues on the east coast.

Wednesday, January 22, Palace, Melbourne
Saturday, January 25, Enmore, Sydney
On sale Friday 29 November

Phoenix

PHOENIX

These Frenchmen know how to put on a show. Lights, tunes, sauveness.

Wednesday, March 5, Horden Pavilion, Sydney
Thursday, March 6, Festival Hall, Melbourne
On sale now!

Darkside

DARKSIDE

Nicholas Jaar and Dave Harrington released the amazing album Psychic earlier this year after performing at Laneway Festival, and are returning again for their own headline shows.

Wednesday April 2, The Hi-Fi, Sydney
Friday April 4, Palace Theatre, Melbourne
On sale now!

DJ Shadow

DJ SHADOW

Shadow lines up a few small scale shows for this DJ tour (if, in any univers,e you can consider anything associated with the Ivy to be small scale.)

Saturday, February 8, Bass Boutique, Ivy Courtyard, Sydney
Thursday, February 13, The Prince, Melbourne
On sale now

Mudhoney

MUDHONEY

Touch them, they're still sick.

Wednesday, January 22, Corner Hotel, Melbourne
Wednesday, January 29, Oxford Art Factory, Sydney

On sale Friday 29th November

Neil Finn

NEIL FINN

Having developed a taste for the classier of venues, Neil Finn returns to the Opera House and Hammer Hall for the second time in a year. Seems he ditched that layabout Paul Kelly this time though.

Wednesday, March 12, Hammer Hall, Melbourne
Saturday, March 22, Opera House, Sydney
Tickets on sale Friday November 22


Elvis

ELVIS COSTELLO & THE IMPOSTERS

Elvis announces a special performance at the State Theatre as a sideshow to his Bluesfest appearance.

Wednesday 23 April, State Theatre
On sale Thursday 28 November


 

Newsletter, newsletter: November 8 Edition

Newsletter, newsletter
Erykah ERYKAH BADU
The amazing Erykah Badu's announces sideshows in Melbourne and Sydney alongside her performance at Bluesfest.
Your choices: watch alongside barefoot flower children swaying in the Byron air, or alongside sartorial bloggers wearing glasses without lenses in Melbourne, or with bespoke suited inner city types waiting for the intermission so that they can try out 'their system' at the blackjack table in Sydney.

Tuesday 15 April, Palais, Melbourne
Thursday 17 April, The Star, Sydney
Friday 18- 21 April, Bluesfest, Byron Bay
Live Nation pre-sale starts at noon
Tickets on sale midday Monday, November 11

Neko Case
NEKO CASE
Neko's latest album is one of the best of the year, maybe even the best.

This is your chance to see her perform either in intimate surrounds of the Corner Hotel, the kind of venue where she's at her most laidback, or in the Opera House, which always brings out the best in performers (unless you're a member of Spiritualized in which case you'll appear as unimpressed as usual).

Sunday 2 March, Corner Hotel, Melbourne
Monday 3 March, Sydney Opera House

On sale now
Charles Bradley CHARLES BRADLEY
Revivalist soul heavyweight is said to deliver a knock-out show- sweaty, intense, surprising: just like catching a train to work in Sydney.
Sunday March 2, The Basement, Sydney
Thursday March 6, The Corner, Melbourne
On sale now

Kings of Leon KINGS OF LEON: INTIMATE HEADLINE SHOW
I suppose if you're forced to endure a performance by Kings of Leon, the Enmore's a pretty good place to do it. Sorry, KoL fans. (Not sorry).

Wednesday 20 November, Enmore Theatre, Sydney
On sale Wednesday 13 November
Flying Lotus
FLYING LOTUS: LAYER 3
Experimental producer Flying Lotus brings his acclaimed, innovative 3D AV show and brain-melting sounds to the Opera House for one very special performance.

Sunday 9 March, Sydney Opera House
On sale 15 November
Okkervil
OKKERVIL RIVER
Literate, quirky, funny and honest: Okkervil River's eHarmony profile.

Friday 21 February, Oxford Art Factory, Sydney
Saturday 22 February, Corner Hotel, Melbourne
On sale now
Public Enemy
PUBLIC ENEMY
Literate, socially-conscious, passionate Rock and Roll Hall of Fame inductee: Public Enemy's OkCupid profile.

Tuesday 4 March, Corner Hotel, Melbourne
Wednesday 5 March, Metro Theatre, Sydney
Pre-sale on now
Wire
WIRE
Restless postpunk legends refuse to repeat themselves even when revisiting themselves.

Thursday 20 February, Oxford Art Factory, Sydney
Friday 21 February, Corner Hotel, Melbourne
On sale Thursday 14 November
Tunes TUNES!
Right click, save as!
The first track from the upcoming Mogwai album Rave Tapes, the single Remurdered

Fuzzy single from Sky Ferreira's debut: You're Not The One
Download!
James Murphy
's typically excellent remix of one of David Bowie's new tracks: Love is Lost

The National: 'Lean' from the Hunger Games Catching Fire soundtrack


Ever busy, The National have contributed a song to the soundtrack of The Hunger Games: Catching Fire. The album follows in the recent tradition of teen-targeted film soundtracks by being loaded with indie artists whose usual fans aren't necessarily buying tickets for the films themselves. You'd wonder what the purpose is, but it turns out a lot of these artists get a nice little paycheck from their contributions, paid upfront, at that, by the megalithic film production companies. You gots to be selling.

Hear the song below: